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Ying-Chen Peng
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Joanne Allen Specialty: Italian Renaissance
Juliet Bellow Specialty: Modern European
Book:
"Elegantly written and sumptuously illustrated, this wonderful book offers a fascinating journey through the rich intersections between music, painting, the decorative arts, and performance on the Ballets Russes stage." - Marion Schmid, French Studies 67, no. 4 (October 2013): 573-574.
Essay: Co-Editor (with S. Elise Archias): in ARTS
Article: in The Art Bulletin
Essay: "A May-December Romance? Time and Collaboration in The Seasons" in
Essay: The Sacre "Au Printemps": Parisian Receptions of the Ballets Russes in
Kim Butler Wingfield Specialty: Italian Renaissance
Co-editor (with Tracy Cosgriff):
Essay: Eloquence and Intertextuality in the Sistine Chapel in
Essay: in Artists at Court: Image-Making and Identity, 1300-1500
Article: "Networks of knowledge: Inventing 'theology' in the Stanza della Segnatura" in Studies in Iconography.
Nika Elder Specialty: 鶹ý Art
Book:
Essay: “Art Institutions and Race in the Atlantic World, 1750-1850,” co-edited with Catherine Roach and Daryle Williams [suite of 6 essays with an editors’ introduction], 鶹ý Art, vol. 36, no. 2 (summer 2022), 2-45
Article: “In the Flesh: John Singleton Copley’s Colonial Portraits and Whiteness,” Art History vol. 44, no. 5 (Nov. 2021), 948-977.
Essay: “African-鶹ý Art and the White Cube,” Routledge Companion to African 鶹ý Art History (London: Routledge, 2019), pgs. 337-348.
Op-Ed: "" in Inside Higher Ed
Ying-Chen Peng Specialty: Asian Art
Book:
Article: "" in Ars Orientalis.
Essay: "Shopping China in Europe: Samuel P. Avery (1822-1904) and the Collecting of East Asian Ceramics in the United States" in
Essay: Reconfiguring Patriarchal Space: Empress Dowager Cixi (1835-1908) and the Reconstruction of the Gardens of Nurtured Harmony in
Emeriti Faculty
Norma Broude and Mary D. Garrard Co-edited books
The Power of Feminist Art: The 鶹ý Movement of the 1970s, History and Impact
"This is an excellent cross section of current feminist theory. These essays will prove invaluable not simply for students of art history, but for readers interested in the fields of cultural studies, gender theory, sociology, and others. Broude and Garrard have produced another exceptionally important and well-thought-out text!" - Linda Nochlin, Institute of Fine Arts, New York University
Norma Broude Specialty: Modern European
Editor: Gauguin's Challenge: New Perspectives After Postmodernism
“I didn't think it could be done: A new collection of essays about Gauguin that contains original research and new conclusions. And important onestoo, about gender, sex, vision, religion, power, identity and colonialism. This is a Gauguin for the 21st century!” -Stephen F. Eisenman, Professorof Art History, Northwestern University.
Editor: Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris
Mary D. Garrard Specialty: Italian Renaissance
Book:
Book:
“In her new book, Garrard has taken two bold steps that challenge much received opinion in the discipline of art history.Analyzing two of Gentileschi’s least violent but most moving images, Garrard argues that the painter’s personality is discernible no less in the subjects and their interpretation than in the ‘style’ of the works:consideration of both aspects is essential to understanding the meaning of these extraordinary pictures and their authorship.Perhaps even more important, Garrard makes crystal clear that Artemisia Gentileschi, far from a ‘good woman painter,’ was one of the major visualthinkersof her time.” - Irving Lavin, Institute of Advanced Study, Princeton
Book:
“One of the founders of feminist art history…Garrard is an admired art historian who is all too rare: a light touch with weighty material.... [In this book] she situates Artemisia as an artist inspired by, and in community with, other talented and explicitly feminist women, especially writers…. Much more than an exploration of a singular female artist of the Italian Baroque, it’s a map of interconnected traditions, intellectual conversations, inspirations and leapfrogging, a whole network of early modern European feminists.” - Bridget Quinn,Hyperallergic,October 2020.
Helen Langa Specialty: 鶹ý Art
Book:
"Radical Art is a landmark study, both in the history of printmaking and in the history of 鶹ý art of the thirties. There is no better explicator of the graphic arts of this era and their cultural context than Helen Langa. Her thoroughly researched and compellingly written volume is a major scholarly contribution." - Betsy Fahlman, author of John Ferguson Weir: The Labor of Art.
Co-editor (with Paula Wisotzki):
Andrea Pearson Specialty: Northern European Art, 14th-16th Centuries
Book:
Book:
Book Editor:
Essay: in theJournal of Historians of Netherlandish Art.
Article: "Sensory Piety as Social Intervention in a Mechelen Besloten Hofje" inJournal of Historians of Netherlandish Art.